First United Methodist Preschool

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July 29, 2020 by FUMP

Discover. Create. Connect.

We strive to create an atmosphere in which each child can develop socially, emotionally, physically, spiritually, and intellectually. We offer an outstanding educational experience through a flexible, well-planned program where children come first.

The basis of the program is that play is learning for all ages: infants, toddlers, three-year-olds, and PreK children.

We are located in the heart of downtown Austin, directly west of the State Capitol. Our program is nationally accredited and certified program by WorkForce Solutions, via the Texas WorkForce Comission. We were proud to be featured as a “Best Preschool” by Austin Monthly Magazine.

Classes are filling quickly, so reach out to us today.

  • Sandy Pennington, Executive Director
  • Hours: 9am to 2pm Monday – Friday
  • Contact us at: preschool@fumpaustin.org or Click Here.

Filed Under: Home-Slider

July 27, 2020 by FUMP

Our Urban Location

At First United Methodist Preschool, we incorporate many Austin offerings for young children.

As the State Capitol building is located adjacent to the school campus, our children regularly play on the Capitol lawn.  The 22-acre Capitol Complex lawn is covered with sprawling live oak trees and provides an open expanse of green space for the children to explore.  Rolling down the grassy hills at the Capitol is a favorite memory of children who have attended our program.  The children also visit the statuary and the rose garden on the grounds. It is a grand experience. We also host two all-school picnics on the Capitol Grounds each year.

Our low ratios in our infant and toddler classes mean nurturing teachers are responsive and engaging with children. Our threes and PreKindergarten classes have regular visits from our downtown “neighbors,” such as the Austin Nature Center, the Austin Public Library, the Austin Fire Department, and more.  Our PreK classes also enjoy field trips via Cap Metro to enhance our fine arts and science curriculum. The children visit local theaters, like Zach Scott, for children’s plays and nearby museums, like the Blanton, and the University of Texas Campus.

And we did not forget live music! We host a mini-music festival each February for the entire school. Also, the rotunda offers musical events at noon hours several days a week. Our teachers partake in a walking trip to enjoy live music in the Capitol, in the “Live Music Capital of the World.”

 

 

 

 

 

Filed Under: Home-Slider

April 3, 2020 by FUMP

The Value of Dramatic Play

Over the last few weeks, I have been highlighting the learning that occurs within the different learning centers at FUMP.  In this age of academic pressures falling to younger children, we rely on the best practices of child development to create learning in a play based environment.  In each classroom, you will find a dramatic play learning center.  At times, parents will question the value of such play.  This week, I want to share some information from one of my favorite blogs, www.notjustcute.com about how dramatic play supports literacy development in early childhood.

Why Play Pretend When We’re Trying to Build Readers?

Pretend Play and Reading

I noticed my 2 1/2 year old walking around the back yard the other day with a small rectangular rock nestled in the palm of his hand.  I watched as he excitedly moved it around as he energetically bounded around the lawn, obviously in his own world.  I wondered where his imagination had taken him.  Then I heard the giveaway:  “Boop! Boop!”  He was holding the rock out, extending his arm toward a ride along car in the yard.  “My boop-boop!”  He said as he looked up with a huge grin of satisfaction, having clearly just set the alarm on his toy car with his own personal key fob.

I’ll admit that I was pretty excited too.  This type of symbolic play — where an object represents something else — may seem like inconsequential play to some, but it is actually a hallmark of pre-literacy.

Whenever a person reads, they’re scanning across a series of symbols.  Together, those symbols make words, and those words carry ideas.  But what we actually see or hold is very different that what is going on in our minds.  When children play pretend, they are making this same cerebral leap.  A block can be a phone.  A rag can be a baby.  A rock can be a key fob.

And marks on a page can be a story.

This is why I get so discouraged when I hear about early education classrooms doing away with dramatic play areas.  The foundational learning that goes on in pretend play is powerful for children.

the work of childhood

In addition to the symbolic play that prepares the brain for reading, pretend play often goes hand in hand with language practice, dialogue development, and story structure, all of which continue to prepare young minds for the eventual tasks of literacy.  Add to that the great practice kids get with problem-solving (negotiating roles and themes), perspective taking and empathy building (imagining how another person feels as they assume their character), fine motor control (putting costumes on and off), among many other skills.

Getting rid of the dramatic play area in the name of improving literacy is like getting rid of your running shoes so you can spend more time running.

As Fred Rogers said, “Play is often talked about as if it were a relief from serious learning.  But for children play is serious learning.  Play is really the work of childhood.”

If you’re looking to promote pretend play, there are some great ideas below to get you going.  These are the types of ideas I would especially look for when I was preparing a dramatic play area for a classroom of preschoolers.  If, however, these kinds of set ups are overwhelming for you personally, don’t worry too much.  Sometimes, all a kid needs is a rock.  Imagination will do the rest.

Original post: Why Play Pretend When We’re Trying to Build Readers?

Filed Under: FUMP Directors Blog

April 2, 2020 by FUMP

To worksheet or not to worksheet, that is the question.

red appleAfter my last column on process art, it sparked even more conversation about other salient points on process art in a child-centered classroom.  Inevitably, the topic of worksheets arises. The parent I spoke with last month mentioned that her friend’s daughter came home with worksheets; they were simple – just two shapes on a page.  The teacher in the class read the directions aloud from the page and the children drew a circle under the square. The neighbor was proudly showing off the “school work” her child had completed at school.

Worksheets appear in the early childhood setting in many shapes, forms and fashions.  Oftentimes, they are presented in a direct-teach situation, meaning a teacher sits in front of the group, reads a prompt, and the children are instructed to complete a task.  There is typically a clear, end-product for the children to copy or recreate. Teachers may also select them to support a theme.  If a teacher has selected a theme such as apples, they may copy the outline of an apple for the children to color.  Pages are set out with red and green crayons for the children to color. For many schools, it serves as the art project to support the theme.

Children will the complete worksheets as set forth. However, they may be thinking, well, I like pink lady apples, but the teacher only provided green and red crayons. One child thinks of apples as tan, as she likes dried apples.  Another child recently discovered the seeds in the core of an apple, but no brown crayons are available for use that day. Rather, FUMP uses open-ended art principles, allowing children to create art that is representative of their own unique experiences, encompassing the length and breadth of their knowledge of apples – not limited outcomes with only one right answer.

At FUMP, we create more authentic experiences for children.  Teachers select more dynamic materials to encourage hands on learning through the five senses: taste, touch, sight, sound and feel.  We would skip the flat one-dimensional image on a page and seek other ways to engage children.  Stamping with apples cut in half, a tasting project of types of apples, planting apple seeds are all projects that I have seen done in our classrooms this fall.

Will children be expected to complete these types of activities in elementary school? Absolutely.  And that type of activity should be reserved until children reach the appropriate age to do so.  Milestones such as following multi-step directions, comprehending the principle of written symbols are represent the spoken word, understanding reading foundations (page orientation, left to right), attention span, and more. You will see some worksheets with pre-selected shapes on our art shelves. They are one choice out of a wealth of creative materials in the classroom.

One side note, a dozen children in a classroom could not possibly be developmentally ready for the direct teach activity at the same time. As a child centered program, the last thing we want to do is set up a child to fail. When open-ended materials are used, children who are ready for more can do more.  When teachers pick out crafty projects and worksheets that may be cute and pleasing to adults, they fail to capture the wonder and curiosity of early childhood, and fail to allow for individual differences among children. We seek to support children in their development, at their own rate and pace.

Thanks for your support of FUMP and our child-centered philosophy.  Your children thank you too!

Want to learn more about FUMP curriculum and activities?  Check out the FUMP DIRECTOR’S BLOG.

Filed Under: FUMP Directors Blog

April 1, 2020 by FUMP

FUMP: Where art is not just art

easelI had a wonderful conversation with a parent recently. It started with her revealing to me that she had been thinking about moving her daughter to another preschool. Day after day, her neighbor‘s child was coming home from their preschool with elaborate craft projects and worksheets filled with shape drawings. Her thought was that she really liked FUMP, but her neighbor’s child was bringing home so many great things and perhaps her own child was missing out.

She reached out to a friend and blogger who is very knowledgeable about child development. Her friend began asking questions about FUMP. Do they send home scribbled art work? Do they have sensory tables in the classrooms and change the materials in them regularly? Do they have playdough on the tables? Are the teachers highly trained? Are they accredited? And more. The answers were all yes. Her friend said that FUMP was doing it right, focused on child-centered learning. The parent was so relieved. She knew that she loved FUMP from her first visit, but couldn‘t articulate why. A year later, she is so glad that she stayed, and of course, I am as well. As we continued our conversation, I knew she had tapped into something deeper.

What does it mean to be a child-centered program? After 30 years in early childhood, “child-centered” is a term I use frequently; however, some parents may not have the same grasp of it. For this week’s column, I will expound on child-centered art. It is a tangible, visible example of FUMP‘s unique philosophy that illustrates the concept. More posts and columns will be coming your way as our child-centered philosophy is the common thread that runs throughout our program, from the babies to prekindergarten, and makes FUMP such a unique experience for children.

As I mentioned at the parent orientation meeting in August, your child will inevitably come home from FUMP with a completely brown painting and be thrilled by it. It will be covered with layers of once-bright tempera paints that have now been swirled and mixed into a top-to-bottom, wall-to-wall landscape of dull brown. While as a parent, you may think, “Ugh, that’s not one I am putting on the refrigerator”, it greatly illuminates FUMP‘s philosophy. Let me walk you through the experience through our eyes.

A child at the easel faces a blank page, pots of colored paints, and endless opportunities for learning. Here is a quick list off of the top of my head about the learning that happens here: 1) Fine motor skills of manipulating the brushes, 2) Gross motor skill of painting on a vertical surface (easel) rather than a horizontal surface (table), 3) Creative expression as there are no graphics or focused adult-selected objectives, 4) Drawing/writing skills as they form lines, shapes, symbols, 5) Science processes as they observe changes as colors, textures and paints are mixed on the page, and 6) Language as the teachers may ask the child about what they have drawn and dictate their response. Just like that, multiple areas of children’s development are addressed in one single classroom activity.

Further, children learn through repetition. The easel will be in the classroom all year, and the teachers will vary the mediums for children‘s use. What happens if you add shaving cream to the paint? Or use watercolors instead? Or add glue into the paint and paint on foil? Or use spray bottles with colored water? Or add an extract to create scented paint? A peer might even join to do a “partner painting”, which adds a social component.

These variations extend learning (building on the list above) and support further opportunities to learn about the properties of liquids and solids, art mediums, and more. This list is quite impressive, when you stop and examine something as simple as a child’s easel painting.

This is called “process-art,” a hallmark of a child-centered program. At FUMP, we cherish and nurture the process of creating and expression, not the end product. Parents can feel almost disappointment to receive muddy brown paintings day after day. However, each one is a testament to discovery, expression, and exploration.

Well, what about those perfectly-constructed spider crafts that your neighbors are bringing home these days? The key is to remember THAT IS NOT ART; not process art, anyway. They are an excellent measure of OTHER skills: following an adult‘s multi-step directions, practicing fine motor skills to assemble the craft, learning pre-math directional terms (above, below, beside), learning science concepts (a spider has 8 legs), etc. “Product art” has its place in the early childhood setting, but it has an entirely different end goal. Just last week, I observed in a classroom and the children were building skeletons with glue and cotton swabs. The teacher listed the activity under “Fine Motor Skills”, not “Art Projects”. I was delighted to see an example of the distinction on her lesson plans.

In fact, we could have the children make crafts for you each day at FUMP, and we would receive rave reviews for it. Many, many, many schools take this approach and do so successfully. However, we seek out opportunities to create child-centered, process-focused experiences for children. We prioritize children’s authentic experiences over more product-based outcomes, and ultimately the children have a richer, multi-dimensional and more meaningful experience because of it. Perhaps now you can see why the teachers gush at pick up time about the amazing muddy brown painting your child did that day – through our lens of valuing the child-centered experience.

So the next time you see a child’s carefully-constructed preschool craft project, perhaps this column will echo in your mind.  Perhaps you will smile to yourself and think, ahhhh, that‘s not really art. And if you do, you will know that you are one of the precious few that recognizes the deeper value of a child-centered, developmental philosophy for young children.  Now go forth and proudly show all of those brown paintings to all your neighbors!

Filed Under: FUMP Directors Blog

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1201 Lavaca St. | Austin, TX 78701
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preschool@fumcaustin.org

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